Not Yet Little People
- Herb, we've got a 7R BEATNIK from Dispatch. Signal 7 is Dead
Person, right? But whatta hell is BEATNIK? Bio-Hazard Unit?
- No, rookie-boy: Bio-Hazard Unit is SHAMROCK; BEATNIK is Rep-Detect
Unit. And signal 7 is Dead Person alright, but 7R is Dead Replicant.
Jesus, are you never gonna learn?
- Okay, I get it.
- No, I don't think you do.
In the distance, somewhere over the remote 23rd and 24th sectors,
lightning made the ever-present cloudscape glow stroboscopically
in the night. No sound of thunder could be heard: it drowned in
a vast and deep ocean of street sounds.
Black uniforms on the scene, neon signs reflecting in transparent
visors. Gates watched the depressive show with the headgear dangling
in his hand. He had seen it many times before, all too many times:
the aftermaths of violent death in the gutter. A police spinner
hovered five meters above the street, looking like a large insect
against the seemingly overhanging buildings, exercising standard
crowd control. A metallic playback track echoed monotonously from
the spinner's loudspeakers:
"Move on ... Move on ... Move on ... "
Quite a few hurried passers-by had suddenly become curious spectators,
eager to see the traumatised body laying next to Kuppa Joe's. The
little kiosk looked warm and inviting in the night, surrounded by
dark shadows and cold neon; the interior lights fell on the dead
Jane Lee, still bleeding on the asphalt, forever gazing into eternity.
The peepers didn't back off until a couple of black-and-chromes
approached them with drawn electro-batons:
"Okay, take a hike or take a hit."
Gates could have killed for another cup of Maxwell's savoury Syn-Joe,
but the magician was gone. He had left for the hospital in a hurry,
his mouth bleeding copiously. Maxwell had forgot to close the metal
shutter, but it obviously didn't matter since the place was swarming
with cops now. Gates gave up the idea of trying to find a good cup
of coffee elsewhere in The Pits: the sector lacked taste in more
than one respect.
Chard, the trigger happy blade runner, was still on the scene though,
standing next to a police spinner bathing in the red light from
a hologram advert for "The Temple of Sin". He was talking
to a stocky, moustached man in fedora and trench-coat, evidently
a superior. The little man was laughing and puffing on a cigar,
but Chard looked slightly uncomfortable, rubbing his eyebrow. Gates
didn't join them. Blade runners didn't blend with regular cops.
They kept to themselves, not exactly charming fellows. Bunch
of weird fuckers, Gates thought to himself.
He was about to leave. A witness hearing at a replicant retirement
scene was usually a casual affair and this was no exception: a few
standard questions from a Homicide detective and he was clear. Gates
reached for the radio on his coat collar and then he sighed: it
was gone. He must have lost it when the crazy replicant had jumped
him.
Gates recognised the Forensics guy, an old Pit acquaintance: Weyland,
a tired veteran, always smelling vaguely of whiskey and never leaving
home with a decent shave. He was kneeling by the body with a cigarette
in the corner of his mouth, not exactly following regulations strictly.
Haven't the I.A. boys taken you yet?
"Hey, Weyland!"
Weyland looked up and nodded in recognition. He got to his feet
and drew the hand through his greasy hair.
"Frankie? I thought you were through?"
"Almost. Today's my last day."
"Congratulations. Drink one for me, pal: two more years to
go in this hellhole." Weyland looked around the street, taking
a deep drag from his cigarette. "Where's the fucking transport?
Gotta get the skin job off the street. On my way home when I got
the damn call."
Gates looked at the dead replicant by his feet: a pale showroom
dummy frozen in a harrowing pose of pain and anguish. It was winter
in Jane Lee's world.
"Whatta mess, huh?"
"No, not really; pretty clean." Weyland nodded in the
direction of Chard and killed the cigarette under his heel. "This
one's a fucking pro. But it doesn't matter: I'm just here for the
record anyway. Rep-Detect have never screwed up so far."
I'm not so sure about that any longer.
"You haven't seen a radio?"
"Regulation-issue? Ah, so that one's yours?" Weyland
poked around in his large trench-coat pockets. "Here you go,
pal." He threw the radio carelessly to Gates. "An' your
keys."
Gates caught a ring with a few plastic card keys. They weren't
his; they had to be the replicant's, Jane Lee's. If she was a
replicant and if her name was Jane Lee, that is.
Puzzled, he thought about what she had said to him, bleeding and
dying, pale like a ghost and soon to become one:
Tell them who is the Sim and who isn't. Eh? I am the vector,
but who is more alive? The dead man knows.
Gates examined the keys in the warm light from Kuppa Joe's: one
of them was definitely an apartmeant key, skid row quality. The
old cop instinct kicked in: If she lived nearby ... I bet "Weasel"
Jones can identify the building. He still owes me a favour, the
old scoundrel. Well, it's payday today...
"What's amatter?" Weyland asked. "Missin' a key?"
"Huh? No, they're all here."
Weyland frowned slightly.
"Anything wrong, pal?"
"No, everything's fine." Gates attached the radio to
the clip on his coat collar. He hesitated a moment, looking at the
keys. Tomorrow I'm little people. Then he dropped the keys
in one of his breast pockets and zipped it. Finally, he put on his
protective visor and black uniform cap. "Gotta go back to work.
See you around, Weyland."
Gates turned and headed down the neon-lit street, followed by Weyland's
unfathomable eyes. Soon he had disappeared in the motley street
crowd of pimps, hookers, fornicators, pushers, junkies, sailors,
hustlers, con-men and other typical Pit dwellers. Fine, scattered
drops of a drizzle began to fall. Weyland looked up at the sky:
it was dark, acid rain on its way.
"Figures," he said and lit a new cigarette.
Options
Option 1 - "Weasel"
Jones .
Option 2 - Blade
Runner interference.
Option 3 - Something
else.
Pages in white continue the story. Pages
in yellow are yet to be written. Note that the unwritten
options are just suggestions for how the story might continue
- you can add something completely different if you like.
Each page in the story ends in a five letter
code. If you want to return to this page in the future, make
a note of the page code and you will then be able to change
your URL to take you straight back to that page.
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Date: 2002-08-02 22:45
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