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Please
note that most links are not revised. Although correct when originally
written, the nature of news means that I cannot guarantee that any
particular link will still be valid today.
21 Dec 2006 |
"Robots
could demand legal rights - Robots could one day demand the
same citizen's rights as humans, according to a study by
the British government." So says the BBC. Yes indeed, "The
paper which addresses Robo-rights, titled Utopian dream or
rise of the machines? examines the developments in artificial
intelligence and how this may impact on law and politics.
The paper says a "monumental shift" could occur
if robots develop to the point where they can reproduce,
improve themselves or develop artificial intelligence.
The research suggests that at some point in the next 20
to 50 years robots could be granted rights."
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20 Dec 2006 |
A Back
Stage interview with Edward James Olmos
and Mary McDonnell about Battlestar Galactica: The most interesting
comment made by Eddie on why he chose to do BG was, "There
was a story that drew me in, especially with the mindset that
one has after 9/11. You had a whole different perspective on
the end of the world, that whole philosophy. What [Galactica
executive producer Ronald D. Moore] did before you read the
piece, he put three pages at the beginning. It was like a mission
statement, kind of. It told you a little bit about how it was
going to be shot. The script was very powerful. It was completely
different. It was very much in the realm of Blade Runner, rather
than in the realm of the kind of Star Wars, Star Trek opera
that I was used to seeing in the genre, that had really permeated
the genre since the early '70s. So when I talked to Ron and
[executive producer David Eick], we talked about Blade Runner,
and I said, "There was a door that was opened there that
nobody ever walked in. Everybody walked through the door of
Star Wars, but nobody walked through the door of Blade Runner." I
said, "If you really want to do that, then I'm game to
join up, but I'm going to be very honest: The first four-eyed
creature I see, I'll faint. I will faint on camera, and I will
be off the show." I just didn't want to go that route.
I didn't want to act against those kind of situations; I didn't
have the time to do that. So we went into this with a 9/11
perspective and mindset with a very strong understanding of
Blade Runner."
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01 Dec 2006 |
Flexible displays
- how close are they in the real world? Not far away actually.
Check out this Electronics
Weekly report for more. There are numerous alternatives. |
29 Nov 2006 |
Wired reports
that The Fountain has not done
very well in its opening box office receipts. This is such
bad news for serious SF film fans as it only discourages the
people with the money from financing films like this. The article
laments the whole situation and ponders if some of the most
famous of SF films of the past, like Blade Runner, would even
get the green light these days. |
28 Nov 2006 |
AP reports that
"Library of America to issue volume of Philip K. Dick". PKD
is to be canonized, of course for his work, but also recognizing
Blade Runner's 25th Aniversary and Final Cut next year. Read
article in USA
Today for example. |
21 Nov 2006 |
"Five
Most Memorable Action Movies" - this list at IGN is: Star Wars, Blade Runner,
Nikita, The Matrix and Enter the Dragon. All good films to
watch, though of course I don't agree they're the best five.
Oh BTW, LFN at five seasons is hardly a "short-lived" TV series
- it is obviously different to a single film, but definitely
worth looking into (I own it all on DVD). |
21 Nov 2006 |
Crave has
an interesting list - the "Top Ten
Girl Geeks".
The title could perhaps be improved as the list ranges
from women who made history through the popular to the downright
inane. The list includes Daryl Hannah (for more than just being
in BR), but I'm sure geeks everywhere will have something to
say about some of the choices. |
18 Nov 2006 |
Henry Porter
writes in The
Observer of his film (with director Neil Ferguson)
called Suspect Nation. It is about the increased surveillance
on us in the last five years, the connected computer databases
of our personal data (our lives) and the lack of government
knowledge of what they are actually doing and the security
needed to protect their systems. Porter ends by having an RFID
chip injected into his arm - easily cloned by his tech friend
simply by scanning it - just like passports, driving licences,
etc. Does the Blade Runner World have this technology installed
and perhaps it is so easy to override, it isno use in catching
criminals, terrorists or Replicants? Only the innocent end
up in the system. |
12 Oct 2006 |
If you happen
to be in Tokyo on December 12th, pay a visit to the Omotesando
section of Shibuyaku. Because that is where you will see the
Kyosho Athlete Humanoid Cup - a series of races between robots.
Specifically Manoi AT01-model robots produced by hobby robot
manufacturer Kyosho. According to the Mainichi
News, the 40cm (16") tall
biped robots have to 'sprint' along a 5m (16') course. A fast
time would be 20 seconds, so still a long way to go to be "More
Human than Human" though taking the first steps... Check out
the excellent film at YouTube of
these robots being put through their paces. |
12 Oct 2006 |
"Now
in Theaters Everywhere: A Celebration of a Certain Kind of Blockbuster is
a new book by Kenneth Turan about a type of smart studio
movie which, Turan argues, is increasingly under economic
threat of extinction." Lynn Neary interviews Turan
on National
Public Radio (just over 5 minutes) about his views.
Notable first example of how difficult it is to get this sort
of movie made is the now-classic Blade Runner - sadly Turan says
things have got progressively more difficult since then to make
the large budget intelligent movie. |
10 Oct 2006 |
Rutger Hauer's
recent life has been filmed as "Blond, Blue Eyes".
Reuters reports on the film by Simone de Vries. |
09 Oct 2006 |
What of Science
Fiction in Arabic literature? It seems this is a problem. Achmed
A. W. Khammas discusses the issue in Telepolis. |
08 Oct 2006 |
Can transferring
your (legally purchased) version of Blade Runner onto your
hand-held movie player prove to be a criminal offense? According
to the NY
Times, these people in France seem to think so.. |
08 Oct 2006 |
A noodle bar
is still a noodle bar wherever you are - even atop a Japanese
ski resort.The
Observer talks about skiing Japanese style. |
06 Oct 2006 |
Ridley Scott
talks and Times
Online has his story. There is lots to read,
but short as it is, the Blade Runner section is most fascinating! |
06 Oct 2006 |
TripmasterMonkey provides a timeline of Asians in Sci-Fi. I can understand the
sarcasm. I can also appreciate that BR is head and shoulders
way up there, not just because Deckard chooses to eat noodles,
but lets face it, Chew is quite obviously a brilliant genetic
engineer and thus an inspiration rather than simple stereotype.
He makes eyes y'know. |
06 Oct 2006 |
Every now and
then, I like to bring you someone using the Blade
Runneresque adjective in so absurd
a way as it just becomes funny. Today, it is Newsday.com using
it to describe Jessica Simpson's character in inane comedy
"Employee of the Month". In this case, I don't actually get
the connection at all. Ah well, file it under 'irrelevant'
and move on, I guess. |
04 Oct 2006 |
Anyone interested
in the future designs, the artwork and the futurist views of
Syd Mead should definitely check out this article in the Pasadena
Weekly. |
02 Oct 2006 |
I haven't seen
this film yet and am in no hurry to do so. 'A
Good Year' stars Russell Crowe directed by Ridley Scott.
The review at Bloomberg.com (some
of the film was shot at Bloomberg offices in London), suggests
that the film is somewhat self-indulgent of Scott, filming
Provence in France, where he has a residence. Even Ridley himself
admits to it being an excuse to film there. The sad thing is,
I can picture this film as made in the French style and it
would be wonderful. Every country has their own particular
signature style of film and a director from another country
can rarely come close to duplicating that. It is regularly
true of Hollywood trying to recreate cult British TV shows
on film and failing miserably. It is also true of an English
director, love him though I do, trying to create a French film.
Just doesn't work. And Crowe? How can he possibly successfully
create this English/French character? |
If
you see a Blade Runner article not listed, please send
me the
link so I can add it.
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