The OV features a "voiceover" narration by Harrison Ford, and has
an extra scene at the end - a "happy ending" scene of sorts - in
which you see Deckard drive off with Rachael in (strangely) unspoiled
nature under a bright, sunny sky (clip from "The Shining");
both are looking happy...
Also, there is no unicorn footage in the OV. (Original footage
WAS filmed, but it was cut at the insistence of the producers, who
voted it "too arty"…)
In the DC, the voiceover is gone, and so is the "happy ending",
leaving the film ending like the Workprint did, with Deckard and
Rachael stepping into the elevator, effectively making the film
more open-ended. The DC also features the unicorn "dream" sequence.
Finally, some new background "noises" were added to compensate for
any voids created by omitting the VO.
There are at least seven differences between the BRDC and the Domestic
Cut / International Cut:
1. Deckard's narration has been completely eliminated.
2. Some added dialogue from the blimp was inserted to fill the
hole created by Deckard's missing voiceover, originally heard in
the Domestic/International/San Diego Cuts while Deckard was waiting
for a place at the Noodle Bar ("They don't advertise for killers
in a newspaper..."). This added BRDC blimp line consists of a female
voice saying "This announcement has been brought to you by the Shimago-Dominguez
Corporation. Helping America into the New World."
3. A twelve-second-long unicorn shot was reintroduced as Deckard
plays his piano. This was also not in the Workprint, but was originally
shot for Blade Runner and is not from Legend.
4. The music track during the unicorn scene was also changed. Originally,
in the International/Domestic/San Diego Cuts, the beautiful saxophone
solo from Vangelis' "Love Theme" was heard as Deckard
plinks on his piano. But for the BRDC, a new twelve-second music
cue by Vangelis (which had been composed back in 1982 and was retrieved
by Arick and Scott especially for inclusion in the BRDC) is heard
instead. This takes the form of an atonal chorus wailing over the
shot of the unicorn running through the woods and concludes with
the sound of an electronically generated "hunting horn"
that's heard as the unicorn shot dissolves back into the image of
Deckard at the piano.
5. The Director's Cut features no happy ending or "Ride Into the
Sunset." Instead, the BRDC ends with the elevator doors closing
on Deckard and Rachael, as did the Workprint.
6. The extra violence seen on some videocassette and laserdisc
copies of the International Cut was not included in the BRDC.
7. A newly remixed digital soundtrack was created for the BRDC.
[Source: FN]
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